The October Man Sequence Pdf Free Download
The Complete October Man Sequence: this was made famous in the best-selling book 'The Game' - this is the first time ever the actual techniques have been revealed! 'The Door': A never-before-released explanation of 'The Door' pattern. This will make a person feel fear and panic if they are without you. PDF Free Download Here - PDF Forbidden Patterns Including October Man Sequence Browse and Read Forbidden Patterns Including October Man Sequence. October man sequence pdf free - WordPress.com.pdf - 0 downloads october-man-sequence-pdf-free.pdf - 6-10-2015 Forbidden Patterns - The October Man Sequence and more. Patterns Review Tags: Forbidden Patterns reviews. Ross jeffries october man sequence pdf. The October Man is a 1947 mystery film/film noir starring John Mills and Joan Greenwood. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. The October Man. October Man poster.jpg. Theatrical poster. Directed by, Roy Ward.
Forward: - I am a seduction scientist with intent of giving ecstasy to women. The basic format: - Get her into a state, turn her state into a symbol, manipulate her symbol, link her symbol to myself. Summary: - I am a seduction scientist that gives women ecstasy by getting her into a feel good state, turning her feel good state into a verbal, visual, physical symbol, manipulate her verbal, visual, physical symbol, and finally link her verbal, visual, physical to myself.
Chapter 1: What is can do 1. What it can do: I am learning to change a woman’s sexual identity to a personalized slut a. Be with a woman within 15 minutes b. Makes a woman sexually aggressive c. Turns her sexuality identity into me d. Sexual identity i. Forms at age 2-3 ii. Forms from (Internal Search) (External Experiences) iii. Our relationship to people in a sexual way 2. Intent “Wrestle the Angel”: PAY Attention to the things to do & don’t do list a. Energy flows where attention goes. Attention = Focus Energy spot b. Willpower = Force Energy Intensity c. Intent = Focus Energy Spot &/+ Force Energy Intensity (Intent = Will + Focus) d. Intent is a VERB = Intent is fluid & has movement e. Intent is something that “I do” and others do f. EVERYTHING that happens is a result of Intentions. Question “What has happened” g. 100% of all intentions serve personal purposes & NOT MINES “BE VERY AWARE OF THIS” h. Learn to & master sensing others intentions by focusing on the “FLOW” of the “Will & Focus” of the “Forces around me, or the Powers that be” i. Learn to influence & master others “Will OR Focus” manipulation j. THE MOVE ACTIVE FORCES WIN! k. Manipulating others WILL or FOCUS= CHANGE IN THERE INTENT l. Willpower exercise =Make “DAILY” goals & achieve them NO MATTER WHAT m. Focus exercises = Meditation, Slow moving focus, Earplugs, Deep Breathing, REIKI Wheel 3. Penetrating the Sexual Core: Learn her child times, her child self, her child mentality a. The Sexual core of women starts at childhood. This is the Beginning point
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b. Parts = Wants & Beliefs or different “Frames/States” & “Realities/Life” of her life c. Layers, People, and Places make up her sexual core Layers: Change her Onion through her childhood a. Women’s mind are Onions (Parts that are more visible or accessible) b. Superficial & Deep/Outside & inside parts/Present to Childhood (All Onions) c. Wants on one level may conflict with Wants on another level (Powerful Understanding) d. Physical outside but emotional on inside/ Emotional Outside & physical inside (Onions) e. Butterfly effect = Change Past self = Change in present self f. Speak DIRECTLY TO THE CHILD in her g. Presuppose when talking to people (This example is to the child, but can be to the slut/whoever) h. Projection = Interaction of presupposed on “FACT & ASSUMPTION” i. Lead Body, Emotions, then mind/imagination j. Give into craving = Amplify Craving + Get fully Immersed in the moment People: See the child in her I want to see a. People are all the DIFFERENT ROLES & GOALS one plays. b. People are role & goal reflections in any given context c. Know self Internally & see self reflections in others externally = The person Places: Create places where I choose for her to be a. There is a “Time & Place” for everything this is the place part b. Create new places by just naming it! c. What I name becomes real (Creation) d. What I describe comes alive (Life) e. Create New (Layers, People, Places) is HUGE for OMS to Work Who can do it: Develop Strong Sexual Inner game & Practice do it in person a. OMS must be done with 1000% most seriousness b. Strong Frame = Strong Effect THEREFORE PRACTICE, PRACTISE, PRACTISE c. Only works for STRONG FRAME (Outer Game) d. Strong frame comes from STRONG INNER GAME e. Strong Inner game is FOUNDATIONAL f. Inner game = Identity, beliefs, attitudes g. Women love sex inner game = Alpha bull identity, Ugly cum dump grateful for any fuck belief, encouraging her to be sexually aggressive attitude h. The best sex of her life = Alpha bull, Ugly cum dump, I give sexual encouragement i. Only me best sex = I am sexually alpha, she is sexually desperate , I am consoling her j. I can FUCK HER = Alpha bulls identity, She needs semen to feel good, I am relaxing
k. Her Sexual stalker = Alpha bull identity, she’s desperate & pathetic, I am authoritive l. I am Sexually amazing = Alpha bull identity, she is stupid, I am exciting m. Normal fucking = Alpha bull identity, she has no real options, I am soothing n. All women are desperate = Alpha bull identity, she’s stuck with beta, I am pleasant o. Practice with partner + (Touch, Verbal, Visual) = Seamless flow of INTENT & connection p. Shared trance = Me in trance + Her in trance 8. Where to do it: Create our own little world where WE CAN EXSIST to do the OMS ASAP a. I am putting a woman into a willing trance b. This is something I do WITH a woman c. Quieter places & higher privacy d. Optimize environment by drastically reducing distractions & outside noises 9. Suspending the critical factor: Learn to speak visually and with imagery & practice a lot a. Strong Frame + CORRECT Presentation = Accepting (non-creepy) b. Authority frame + Teacher presentation = Accepting c. Trust = Accepting d. Strong frame + Help relieve stress = accepting e. Alpha bull + Sex enhancement = accepting f. Strong frame + What if massage that’s better than sex = accepting g. Strong Frame + Role Play = Accepting h. STRONG FRAME + SPEAKING VISUALLY & IMAGERY = ACCPETING i. Strong frame + Speaking visually = Evoke feelings, turn to color, manipulate color, link 10. When to do it: Develop sense of Identification with sexual identity for connection a. (Clear lead Alpha) + (Ugly whore connection) + (Clear follow of whore/speak visually) b. Alpha Bull = Strong Charismatic Leader Sexually (Feminist) c. Develop a connection & relationship d. Lead with a strong frame Chapter 1 Summery 1. I am learning to change a woman’s sexual identity to a personalized slut I want desperate, unappreciated, sexually aggressive women 2. PAY CLOSE Attention to the things to do & don’t do list Be the Alpha Bull- See her as the ugly cum dump grateful for any fuck 3. Learn her child times, her child self, her child mentality What would the kid in you (Say ,Do ,Think , Feel, Eat, Enjoy, Favorite, happy) now 4. Change her Onion through her childhood Change her onion into desperate, ugly, unappreciated
5. See the child in her I want to see See her as being sexually aggressive because of her short comings 6. Create places where I choose for her to be Place where she is hateful, angry, & aggressive 7. Develop Strong Sexual Inner game & Practice do it in person Alpha bull identity/Ugly slut identity/encouraging connection 8. Create our own little world where WE CAN EXSIST to do the OMS ASAP Strong Lead, Strong follow, Connection-Suspension 9. Learn to speak visually and with imagery & practice a lot Alpha bull + Video game imagery = Evoke feelings, turn to color, manipulate color, link 10.Develop sense of Identification with sexual identity for connection Strong charismatic alpha bull
Chapter 2: It starts with me 1. Frames: Be Flexible & change & Also Be VERY aware of the role I take a. Clearly defined roles & Clearly defined goals b. Roles for Meta-Frames c. Roles for Meta-Programs d. Am I the Giver Or Receiver e. Am I the Leader or Follower f. Move toward Reward & Punishment g. Move away from Reward & Punishment h. Can I Recognize these roles, frames, & programs i. How can I change these roles, frames, and programs that serve me 2. The pieces to make it happen: a.
The October Man | |
---|---|
Directed by | Roy Ward Baker |
Produced by | Eric Ambler |
Written by | Eric Ambler |
Starring | John Mills Joan Greenwood |
Music by | William Alwyn |
Cinematography | Erwin Hillier |
Edited by | Alan Jaggs |
Distributed by | General Film Distributors(UK) Eagle-Lion Films(US) |
Release date | 28 August 1947 (London) 15 April 1948 (NYC) 20 May 1948 (US gen'l) |
91 minutes | |
Country | United Kingdom |
Language | English |
Budget | over $1 million[1] |
The October Man is a 1947 mystery film/film noir starring John Mills and Joan Greenwood, written by novelist Eric Ambler, who also produced. A man is suspected of murder, and due to the lingering effects of a brain injury sustained in an earlier accident and after intense police investigation, he himself begins to doubt whether he is innocent or not.
Plot[edit]
When a bus crashes due to faulty steering, passenger Jim Ackland (John Mills) sustains a serious brain injury and a young girl under his care is killed. Guilt ridden, he attempts suicide twice during his recovery.
He starts a new job as an industrial chemist and gets a room in a hotel. When he reluctantly accepts an invitation for a night out, he meets Jenny Carden (Joan Greenwood), the sister of his co-worker, Harry (Patrick Holt). They begin seeing each other quite regularly. Things reach the point where he confesses he wants to marry her, but he tells her he wants to be sure he has fully recovered first.
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Molly Newman (Kay Walsh), one of the other hotel residents, asks to borrow £30 from him, a rather substantial sum. As he doesn't have that much on him, Jim good-naturedly writes her a cheque. She is found strangled the next night. Wilcox (Jack Melford), a married businessman Molly had been seeing, has an alibi. Jim admits to have been walking in the vicinity of the murder site; that plus the recovered cheque from the crime scene and his head injury make him the prime suspect. Police Inspector Godby (Frederick Piper) suspects he was another of Molly's boyfriends and that, after falling in love with Jenny, he wanted to rid himself of a possible blackmailer.
When Jim learns that Mr. Peachy, the person who lived in the room directly below Molly's, had told the police that Jim was in her room every night, Jim confronts him in his room. Peachy brazenly admits killing Molly, confident that there is no evidence against him. Peachy had regularly given her money; when Jim made her a loan, it had given rise to an insane jealousy, with fatal results.

Jim goes to the police, but they do not believe him. When they come to take him into custody, Jim flees. He follows Peachy to Paddington Station, then discovers from a tag on Peachy's luggage that he intends to flee the country by plane. He phones Godby with the flight information, but when that appears to have no effect, contemplates suicide again. Then a letter Molly had posted to Wilcox just before her death incriminates Peachy, who is arrested. Jenny finds Jim and gives him the good news.
Cast[edit]
- John Mills as Jim Ackland
- Joan Greenwood as Jenny Carden
- Edward Chapman as Mr. Peachy
- Kay Walsh as Molly Newman
- Joyce Carey as Mrs. Vinton, a hotel resident
- Catherine Lacey as Miss Selby, the hotel manager
- Patrick Holt as Harry Carden
- Felix Aylmer as Dr. Martin
- Frederick Piper as Detective Inspector Godby
- John Boxer as Detective Sergeant Troth
- George Benson as Mr. Pope, a sympathetic hotel resident
- Jack Melford as Wilcox
- Adrianne Allen as Joyce Carden
- Esme Beringer as Miss Heap
- Ann Wilton as Miss Parsons
- James Hayter as Garage man
- Sid James as uncredited man who bumps into Ackland when he first arrives at Brockenhurst Common
Cast notes:
- John Mills' daughter, Juliet Mills, plays the part of the young child who is killed in a bus accident at the beginning of the film. She was five years old at the time, and it was her third film appearance.[2]
Production[edit]
Director Roy Ward Baker was an assistant director for Alfred Hitchcock on The Lady Vanishes (1938), while cinematographer Erwin Hillier had performed the same function for Michael Powell and Emeric Pressburger on I Know Where I'm Going (1945).[3] The film was made at Denham Studio in Buckinghamshire, England, and location shooting was done at Paddington Station in London.[4]
Reception[edit]
In his New York Times review, Bosley Crowther called it a 'second rate film' with 'a first-rate actor [John Mills]..surrounded by a generally competent cast'.[5] In general, though, the film received good critical notices.[3]
According to trade papers, the film was a 'notable box office attraction' at British cinemas in 1947.[6][7]
Notes[edit]
The October Man Sequence Pdf Free Download Full
- ^https://archive.org/stream/variety167-1947-09#page/n65/mode/1up
- ^Juliet Mills on IMDb
- ^ abRob Nixon 'The October Man' (TCM article)
- ^IMDB Filming lcoations
- ^Bosley Crowther (18 April 1948). 'The October Man,' British Film Starring John Mills, Has Its Premiere at Bijou'. New York Times. Retrieved 23 October 2008.
- ^Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939-48 2003 p209
- ^Thumim, Janet. 'The popular cash and culture in the postwar British cinema industry'. Screen. Vol. 32 no. 3. p. 258.
External links[edit]
The October Man Sequence Pdf Free Download For Mac
- The October Man on IMDb
- The October Man at the TCM Movie Database
- The October Man at AllMovie